Rummaging through old memories – how The Genius Crucible’s cover was born

Nissigoboro and Nala

Nissigoboro and Nala

Many years ago, my parents lived in Papua New Guinea (PNG). I will not go into detail the reasons for which they were there, but suffice to say that my head was filled at a young age with stories of exotic jungles, villages of rugged tribesmen, and exhausting scientific expeditions through some of the world’s most rugged terrain.

My parents took a few memorable pictures. Back in the 70’s, film was expensive and hard to store adequately in the humid jungle. Since they could only carry so much, only a few pictures remain of their treks. My father had turned some into slides that he used during classroom presentations to his students. Thankfully, a few years ago he made the effort to scan those slides. I now have a selection of the images stored for posterity. They are beautiful and open a window of insight on a world that had remained largely untouched by the progress of history. I will share some of these images here from time to time.

The first to make its appearance is a photo of Nissigoboro and his son, Nala. Nala served as my father’s interpreter in the Karimui, a remote district in PNG. They worked together for several years over many expeditions, developing a close friendship. My brother and I were fortunate enough to meet Nala back in the ’80s when we accompanied our father on his last expedition to the island’s jungles.

It was therefore fitting for the pair to figure prominently on the cover of The Genius Crucible, since they are inspirations for some of the book’s major characters. Thanks to the magic of digitization and a little help from photoshop, a forty year old picture became a central component for a science fiction book dealing with many cutting edge artificial intelligence and environmental issues. Does it work? I’ll let you be the judge.

The Genius Crucible (available at Amazon.com)

Follow @GeniusCrucible if you are interested in science, the environment, artificial intelligence, and the disappearance of genius.

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The Genius Crucible

available at Amazon.com

The Genius Crucible (available at Amazon.com)

A year ago, I was exposed to my first real experience editing a novel. I lovingly and patiently wrangled words and wrestled phrases into a greater level of cohesion for my father on his first outing,  The Genius Crucible. I discovered that this was in fact an enjoyable experience. Although I have been dealing with mountains of paperwork in my day job, there is certainly something special and delightful about using words to bring imagination to life rather than simply fuel the fires of bureaucracy. Here is a short excerpt for your reading pleasure:

CHAPTER ONE: 2015 Karimui, Papua New Guinea (PNG)

Snakes; God I hate snakes. Even a garden hose can scare me. I hold a strong contradiction when it comes to snakes. I inherently fear them. I startle when my subconscious mistakes an unnoticed stick along a trail. A primitive part of my mind thinks it’s a snake, but I also feel they are beautiful critters. I can only marvel at how they locomote, all so alien and exotic. It’s as if my conscious mind can admire snakes, but my subconscious mind is scared the hell of them.

My consciousness seems to identify a gnarled stick on the trail as a piece of art, an image of interest and wonder. My subconscious, though, notices it first, not as a stick, but as a Papuan death adder ready to expunge my existence. Such thoughts are inevitable when one marches through the jungle in the dark.

When the moon escaped from the clouds, I can see massive cumulous clouds rapidly building from the Papuan Gulf as they advance toward the Highlands like an army of huge siege towers electrified by Tesla1 himself. I hope the damn moon will stay out since the trail is covered with kunai and kangaroo grass. Although not tall, the slender and sharp leaves made a nice knee-high tunnel along the trail, perfectly suited to hiding snakes; big and dangerous ones, like Papuan pythons and taipans.

Why can’t they just have garter snakes in PNG? Aren’t they scary enough on a rainy night, in the middle of nowhere, with a dying headlamp?

I had never hiked on a New Guinea trail at night alone. The batteries of my headlamp are failing again and thoughts of snakes are exploding in my mind. This isn’t merely some kind of joke my brain is playing on me; snakes in New Guinea are a real threat. I wish my subconscious mind wouldn’t continually remind me of the string of possibilities lying below my next step because I wish to think about the big event. I met Nara today.

Stubborn fool; the people of Dibe village insisted that I stay the night since all sort of demons are out on rainy nights. Wawi, my translator, afraid of demons, refused to do this hike with me tonight. Negabo village is a long way off, but luckily, there are no big rivers to cross. Damn mossy logs for bridges.

Right now, everything is scary. Hell, this morning Wawi found a small but deadly black scorpion in my boot. How did he know to look in my boot? I have a doctoral degree, yet I’m an ignorant blockhead when it comes to this environment. The jungle is so beautiful, so ominous and aloof, and for the naive, so dangerous. The rainforest is like its snakes, its miraculous birds and in fact, its people. The jungle is mysterious and foreboding.

As I trudge on with all my senses set to high gain, I think: What the hell am I going to do when all my spare batteries are used up and my headlamp dies?

About a mile earlier, before the clouds started building, I shuffled under a casuarina tree, awakening a roosting mob of large fruit bats which, in unison, abruptly lifted en masse, reminiscent of a hat being removed from the head of the tree. The sudden burst of powerful wing beats from this swarm of great bats startled me. It was as if the giant Grendel had jumped out of the jungle. It appeared that they felt safe roosting as a horde.

Safe from what? I wonder. Is there something else I should be worried about this night besides snakes and falling into a ravine? A cassowary maybe?

I make no claim to be knowledgeable about tropical rainforests, but I do know enough that it wouldn’t be good for me to blunder off the trail and into the jungle itself. To the uneducated, the jungle is like the gaping black abyss at the outer edge of a coral reef or a dark alley in Bagdad. One wants to return quickly to the safety of the known.

Even at noon, if I wandered in more than six or eight feet, the fractal geometry of the vines, the massive buttressed trees and profuse understory would give me no clue as to a heading, a bearing. I would rapidly become disoriented by its great abundance. It’s all diffused light in there, no obvious sun, as a piss ant in a thick hairbrush. Even if I could climb into one of those giant trees, I could never get to the top to see anything anyway.

In the Karimui there’s nothing except dense tropical rainforest and a few highly scattered villages. My only hope would be to chance upon a randomly running trail, and that could take many days. My tropical quest is rapidly losing its appeal, and my mind keeps bringing up scary scenarios. But then again, I met Nara today. I met Nara.

Hearing the menacing roar of an approaching tropical downpour, a traveling waterfall, my eyelids tightened. Oh man, here comes the rain! This evening’s drenching. Great! To top it all, I’ll next be attacked by Indians.